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This is amazing! Having the chance to explore different perspectives, learn from others, and even collaborate is truly valuable.
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This is a really thoughtful breakdown — I agree that cultural appropriation has real historical weight, but the way the term gets misapplied today often undermines its original meaning. Your point about actors and translators using empathy as their craft really resonates. It reminds me of how context matters in everything: just like
Austin pool replastering is about restoring and renewing without erasing the original structure, art should be approached with respect for origins while still allowing interpretation and transformation.
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This was a really sharp and necessary take. I think you hit the nail on the head when you described acting and translation as applied empathy—crafts that are literally about reaching across difference rather than being confined by it. It’s frustrating how quickly a useful concept like cultural appropriation can get flattened into rigid, essentialist rules that actually erase agency from the very people it’s meant to protect. Your examples—from Pat Boone to Amanda Gorman’s translator—really show how messy the real-world dynamics are, and why nuance matters. It reminds me of how in other industries, like
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This is such a sharp and well-argued take. I really appreciate how you highlight the difference between addressing genuine cultural appropriation versus stretching the concept into something counterproductive and even harmful. Denying an artist’s own choice of translator, for example, feels like stripping away their agency in the name of “protection,” which is deeply ironic.
Your point about acting and translation being forms of empathy really resonated with me—it’s about connection, not demographic checkboxes. It reminds me a bit of how tools like
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This is interesting because I have been looking at
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Don Blaheta /
blog@blahedo.org